"Wound" Giclée Print, Collaboration with Beyon Wren Moor

Collaborative drawing with my wife Beyon Wren Moor. In protest of the Dakota Access Pipeline and benefiting Lupinewood, our trans-centric housing and arts collective.

Printed on archival matte paper. Edition of 50, signed and editioned.

About Beyon:

www.beyon.org

Beyon wren moor is an award winning, transgender, mixed race, indigenous, multidisciplinary artist / activist, and nationally touring musician. Growing up as a broken branch, being passed between the limbs of a family tree, torched and decayed, through generations of colonial violence and genocide, her work exposes intergenerational trauma and its roots in colonization and continued state violence towards indigenous peoples. Naming her own body as the house she was born in, she creates her own form of stability atop ever-shifting ephemera of shattered life and growing things. Self-trained in animation, drawing, and music, Beyon’s films have been screened internationally, while her illustrations have appeared in magazines, on record covers, and in the streets. Her work has received numerous awards, including the Young Filmmakers Award for Best Shortat the Yale Environmental Film Festival and a 2014 Arts Nova Scotia Professional Development Grant. Co-founder of loveholdletgo, a NYC-based independent film and theater production collective, and an active facilitator of artists against police violence, an online space of graphic and arts resources available for communities against police murders of Black people. She currently works with aboriginal communities in Northern British Columbia to bring art to the frontlines of land defense and Indigenous sovereignty movements.